Another story from long ago, 1650, about a woman convicted of murdering her bastard child and hiding the body
She was sentenced to death by hanging, and was even held down by a group of people to speed up the choking process, but when they cut her down and prepared to perform an autopsy, she’d somehow managed to survive
Her would-be murderers were so impressed that they let her live, and she did so even bearing three more children as years went by
A man from Venezuela who woke up during his own autopsy – declared dead in a highway accident in 2007, he was taken away by medical examiners before his wife could even identify the corpse
In the midst of his autopsy, when they were cutting into his face, they noted the absurdly high amount of fresh blood falling out, and then Carlos woke up screaming and hollering, with the surgeons falling over themselves to stitch up the wound
Carlos later noted “I woke up because the pain was unbearable”
O It was 2009 when a Caesarean gone wrong happened to a woman in labour, and she died
The husband was given the birth-defected baby and a dead certificate for his late wife, and her body was hauled away to the morgue
Two hours later though, she awoke in the freezer and started screaming and banging the door until a worker came to rescue her
The husband was forced to return her death certificate since, despite his hope, he couldn’t keep it as a souvenir
9 Luz Milagros Veron (2012)
This baby was born three months premature, and quickly sent off to the morgue
Luckily though, her parents insisted they be allowed to see her one last time, and it was inside the coffin sealed for 12 hours they heard a faint cry – it was opened and there was baby Luz cold and weak but very much alive
Originally the babies name was to be Lucia, but they changed it because her new name means “Miracle Light”
A 78 year old man from Mississippi who was accurately described as dead by one of the nurses who looked after him in 2014
A coroner was informed, and he too verified that Walter was dead, but just as he was getting shoved in a body bag, it was noticed that Walter seemed to be kicking his legs, so they listened to his chest and noticed a heart beat
It was later theorised that his heart had been later jump-started by a defibrillator embedded in his chest
It was July 2011 when an 80 year old man was hauled into a morgue and placed in one of the freezers
Not even 24 hours later, the morgue’s owner, Ayanda Maqolo, heard screaming coming from the fridges – he actually thought it was a ghost come to attack him, so he called police to come and handle it for him
The frozen man was thawed and sent to a hospital, making a full recovery – well, as recovered as you can be frozen, left for dead and then rescued by armed police officers
An old Irish story that changes details with each retelling, but believed to have been based on 18th century fact
It goes that a rich woman called Marjorie died from a fever, and her husband tried to take off her golden wedding ring but her finger was too swollen
She was hastily buried in the nearby cemetery, but some grave robbers came to unbury her and take off the ring, which they planned to cut off with her finger
Mid-cut, she awoke and screamed, still alive, scaring off the robbers – she then ran back to her husband all creepy, covered in dirt and blood, scaring him so much that he dropped dead on the spot – and he was then buried in her shallow grave
NOTE: The following article is taken from the Encyclopedia of Psychology & Religion:
An ancient text says, as James Frazer worded it, “Heracles on his journey to Libya had been slain by Typhon and brought to life again by Iolaus, who held a quail under his nose: the dead god snuffed at the bird and revived” (Frazer 1922: section 224). This is a short version of the many accounts of gods and semi-gods who were said to have died and been resurrected, well documented in the eastern Mediterranean region. This one is associated with the migration of quails that descend in hordes on Palestine/Israel in spring to breed.
The classicist James Frazer (Cambridge University), in his 1890–1915 encyclopedic The Golden Bough, collected a mass of reports of ancient authors and nineteenth-century travelers about archaic rituals, myths, and traditions. It is a classic compendium of fascinating material, highlighting the dying and rising god theme, but he organized it according to lax, speculative nineteenth-century standards.
Frazer’s overall thesis was that archaic magic gave way to religion, which has now given way to science. This theme was soon proven wrong when twentieth-century religion continued to flourish alongside science. He also practiced the risky speculation of armchair scholars, by hypothesizing grand organizing themes without adequate study of the details of each culture (he traveled only to Italy and Greece). This conflict between those exploring large universalist themes and those restricting research to culturally unique specifics has continued and is active in the discussion of the “Dying and Rising Gods,” which was the most controversial schema that Frazer proposed.
Frazer reviewed the ancient texts and recent studies of eastern Mediterranean gods and demigods such as Tammuz, Adonis, Dido, Hercules, Melquarth, Attis, Marsyas, Hyacinth, Osiris, Dionysus, Demeter, and Persephone. He interpreted their deaths and resurrections primarily as primitive magic carried over into religions of deities, having the purpose of assuring the fertility of the earth’s reproductive systems. Not understanding the natural processes of growth, he proposed, these ancients believed that they had to magically help fertility happen by imitating the seasonal process, thereby facilitating it. So the death (or descent into the underworld) of a god or goddess was symbolized in part by a ritual of planting seeds, and the resurrection was an image of plants sprouting and animals being born.
Many variations developed, including bloody sacrifices, such as the initiates into the cult of Cybele imitating her beloved Attis by castrating themselves and throwing their blood (life fluid) and testicles onto a statue of the goddess, apparently to assure her impregnation and subsequent fertility in the plant and animal world. Attis was said to be born of the virgin Nana, and initiates were said to be baptized with the blood of a bull (the taurobolium) (Frazer 1922, pp. 403–413). Frazer interpreted this all as promoting fertility among hungry people groping with agricultural practices in a world they saw as filled with spirits. The ancient high death rate may have also been in the background. Women were reported to grieve the death of Adonis, plant gardens of Adonis, and celebrate when the seeds sent up shoots (Frazer 1922, pp. 376–403). He notes an Egyptian inscription that shows the dead Osiris lying prostrate, rising up and standing with Isis (Frazer 1922, p. 436; drawings in Mettinger 2001, pp. 171–174). He also argues that in addition to vegetation magic (naturist), some resurrections were intended to be social, assuring the continuation of the life force of the king (euhemerist), and that some myths (e.g., Osiris) were intended to assure eternal life.
Now all this is fascinating, but Frazer has been accused of excessive speculation, especially in the category of the Dying and Rising Gods as symbols of vegetative growth. Several scholars have rejected his broad universalist category and stressed the particular differences among the accounts of the gods, semi-gods, or humans and textual difficulties, although some scholars support the Dying and Rising Gods theme (Mettinger 2001, p. 215; Fig. 1).
Jonathan Z. Smith
The critical particularist reaction by Jonathan Z. Smith (University of Chicago) in 1987 (2005, 2nd ed.), in Eliade’s Encyclopedia of Religion, swept aside this Dying and Rising Gods typology as “largely a misnomer based on imaginative reconstructions and exceeding late or highly ambiguous texts” (Smith 2005, p. 2535). Smith holds the data to strict standards of empirical historical research and finds it lacking. He argues that some of these gods or semi-gods are said to disappear, not die. His typology is that some deities return but have not died and that other gods died but do not return. His thesis is that “There is no unambiguous instance in the history of religions of a dying and rising deity” (Smith 2005, p. 2535).
In one text about the Syrian/ Babylonian/ Greek god/ hero Adonis, for example, in Ovid’s Metamorphoses, Adonis is killed by a boar, but does not rise from death [except as the anemone flower – Book 10: line 737]. Apollodorus’ Library (III. xiv. 4) describes Adonis’ alternation between the upperworld and the underworld, but, Smith interprets, this offers no explicit suggestion of death and rebirth (Smith 2005, pp. 2535–2536). Smith (like some Christians) suggests that late post-Christian myths of Dying and Rising Gods were likely influenced by Jesus’ resurrection. Attis, for example, in a late text, is said to be resurrected, but Smith says he is not here a dying and rising deity, nor is he a deity at all, but a human (Smith 2005, p. 2536). Other myths of resurrection, Smith argues, fail to fit his strict category, such as Baal and Marduk. He says that the text so-called Death and Resurrection of Bel-Marduk is most likely an Assyrian political parody (Smith 2005, p. 2537). Osiris, he argues, cannot be said to be risen, “in the sense required by the dying and rising pattern,” since his resurrection after dismemberment sent him to be the Lord of the underworld land of the dead, imparting a new permanent life to the deceased (Smith 2005, p. 2538). Thus, he defines resurrection as literally returning to mortal earthly life, excluding continuation as plants or in an immortal state, and rejects the motif of going to the underworld and returning as symbolic of death and resurrection.
Smith is right in pointing our many discontinuities among the supposedly dying and rising gods. The vegetation gods, such as Adonis, differ from the royal kingship gods and the gods of immortality after life, such as Osiris, who combines all three types. Smith’s particular readings are rooted in his empirical hermeneutic and logically astute analyses, inspired by empiricism’s distaste for speculation. But Smith’s readings are selectively speculative and too literalist for such symbolic literature. This contrasts with a symbolic, more phenomenological hermeneutic, which would read important images differently. For example, the underworld is clearly the ancient abode of the dead, and Adonis is relegated by Zeus to spend half his year there with Persephone (goddess of death) and half above ground with Aphrodite (goddess of love) (Apollodorus III, xiv, 4). This seems clearly to symbolize a dying and rising god able to appear on earth, yet partake in immortal forces that overcome ordinary death (athanatoi), thus being able to be resurrected, although perhaps not in a literal earthly body.
Smith focuses on themale dying and rising gods and minimizes the importance of the goddesses. For example, an Inanna text that clearly states that she is a dying and rising goddess: “My father. . . He gave me descent into the underworld. He gave me ascent from the underworld” (Wolkstein and Kramer 1983, p. 16). Inanna/Ishtar is clearly the dying and rising goddess (c.f. Persephone) in this Sumerian/Akkadian tradition, and seeking evidence primarily among the male figures distracts from the feminine traditions.While she descended into the underworld, life above stopped (“Since Ishtar has gone down to the Land of no Return, The bull springs not upon the cow, the ass impregnates no the jenny. . .” lines 6–7), and when she returned, it began again with resurrection (“May the dead rise and smell the incense” last line, Pritchard 1958, pp. 80–85).
Smith seems loathe to accept the idea that return from the underworld is a meaningful symbol of rising from the dead. But in ancient myth, the underworld is commonly the abode of the dead, and rising from it commonly symbolizes return to life on earth or the place of immortality. “Rising” from death need not mean an empirical return to normal bodily life but could easily mean a more poetic, mystical passage of the spirit of the ancestors into the upperworld, which was a common theme in ancient Egyptian and many other religions. Smith focuses on Ishtar’s lover Tammuz and, with a reading claiming a mistranslation, says that “in the Akkadian version, Tammuz is dead and remains so” (Smith 2005, p. 2539). Yet the complete reference at the end of the Sumerian and Akkadian texts gives a different picture. When Ishtar returns to the upperworld from the land of the dead, she says:
As for Tammuz, the lover of her youth, Wash him with pure water, anoint him with sweet oil; Clothe him with a red garment, let him play on a flute of lapis, Let courtesans turn [his] mood. . . On the day when Tammuz comes up to me, When with him the lapis flute (and) the carnelian ring come up to me, When with him the wailing men and the wailing women come up to me, May the dead rise and smell the incense (Pritchard 1958, p. 85).
On the surface, Ishtar/Innana’s successful battle with Erishkigal, Queen of the Dead, and return to the upperworld with her deceased lover Tammuz/Dumuzi is the symbolic cause of the conquest of death resulting in resurrection. To focus on the death of Tammuz, saying that here he is only being “treated as a corpse,” and to highlight the ritual wailing about his loss is to ignore this clear reference to his subsequent return to life, as in the reawakening the erotic instinct of reproduction. (“Let courtesans turn his mood.”) Smith simply refuses to read numerous symbols of resurrection as meaningful. To privilege an earlier or later text over another version does not necessarily grant it more authority. Nor does it make sense to claim that Dumuzi/Tammuz cannot return to life, without sending a replacement to the land of the dead, refuting the deity’s rising to life for half the year; it simply denies the importance of the “rising” in the life-half of the cycle of the deity’s tradition (Smith 2005, p. 3190).
Smith’s readings of the Dying and Rising Gods texts is a useful re-examination, but finally a one-sided, narrowly speculative, overly rationalistic hermeneutic, curiously suppressing the symbolic and poetic sensibility basic to religions. “Rising” may be read as a poetic expression of some form of overcoming death, not just the literal return to a human body. The return of a god from the land of the dead to a spiritual realm associated with the resurrection of the human dead need not be discarded as irrelevant in contrast to a demand that the definition of a rising god includes returning to an empirical human body on earth. Smith does this with Osiris, who returns from death to become not a human, but the Lord of immortal souls, with the repeated ritual formula clearly indicating resurrection: “Rise up, you have not died” (Smith 2005, p. 2538).
A recent study by the Swedish Hebrew Bible scholar Tryggve Mettinger (University of Lund), The Riddle of Resurrection: Dying and Rising Gods in the Middle East (2001), does not accept Smith’s conclusions. In a careful textual and linguistic analysis, he accepts more images showing the validity of a variety of dying and rising gods. He does not want to hypostatize a specific type of deity but stresses the different types of gods with similar patterns (Mettinger, p. 218). He concludes, for example, as pictured in the Egyptian Dendara Temple of Osiris inscriptions, that Osiris “both died and rose . . . he rose to continued life in the Netherworld. . .” (Mettinger 2001, p. 175). In response to the idea that some ancient texts may have been read through a Christian lens as implying resurrection, he reminds us that several gods are said to die and return long before the Christian era: Dumuzi, Baal, Melquarth, Adonis, and Osiris.
The major question whether early Christians borrowed the theme of the dying and rising god in interpreting their experiences of Jesus is obviously the critical issue. Frazer puts the question in his boldly speculative way:
When we reflect how often the Church has skillfully contrived to plant the seeds of the new faith on the old stock of paganism, we may surmise that the Easter celebration of the dead and risen Christ was grafted upon a similar celebration of the dead and risen Adonis. . . (Frazer 1922: section 217).
Now it is true that Christianity, like many other religions, did borrow many themes from other religions, such as baptism and virgin birth. But many religions commonly borrow themes from earlier faiths. The Hebrew term for “my Lord,” Adonai, is very similar to the name of the ancient Phonecian/ Syrian/ Greek divinity, Adonis, having the same linguistic root. Mettinger says that dying and rising deities were well known in Israel in New Testament times. Adonis was known in the Hebrew Bible to be “beloved by women” (Bible, Daniel 11:37). The earlier resurrection of Melquarth-Heracles was celebrated in Tyre (where Jesus visited – Bible, Mark 7:24–30).
But looking at particulars, there are some differences with Jesus. The earlier figures were legendary ancient divinities, whereas Jesus was a living human. For the disciples and Paul, Jesus’ resurrection was a one-time historical event, not an annual, mythic ritual tied to fertility or kingship. And Jesus was more an ethical prophet than the ancient vegetation or royalty deities. There is no evidence of the ancient dying and rising gods suffering to forgive sins, as was said of Jesus. There also is no specific evidence that Jesus’ resurrection account drew on ancient traditions (Mettinger, p. 221). Do such particulars negate the overlapping cross-cultural themes?
Symbolism and Depth Psychology
Psychologically, resurrection is highly symbolic. It incorporates themes needed by many to deal with the terrors of death, as Carl Jung says, describing the [divine] hero who conquers death and brings back the promise of eternal life. Like Osiris, he/she psychologically becomes the “greater personality in every individual (like the Johannine Christ), viz. His teleios anthropos, the complete (or perfect) man, the self” (Jung, CW 18: para. 1567). In Jesus’ time, the ancient gods had lost their power to the superficial, concretized state religion of Rome that divinized the Caesar for political reasons. A similar situation exists today, Jung says. The authority of traditional religions has been weakened by empirical science and power politics, and there is a need for a spiritual counterbalance to awaken the divine self in each person, a force that takes the soul beyond the vicissitudes of the life-death struggles of time and space. The Dying and Rising Gods theme must be read with depth psychology’s poetic eye.
To deny the significance of this theme is to mistakenly restrict religious interpretation to the secular, rationalistic, calculating, logic-chopping hermeneutic. To affirm its poetic, symbolic, psychological significance is to recall the ancient assumption that dynamic infinity transcends worldly existence and can overcome earthly limits. We could also expand the dying and rising theme to embrace the “one deep river, many new springs” image of old religions as containers of transcendence that contain valuable archetypal themes and successful new “spiritualities” that rise with renewing archetypal themes, now blended globally with new relevance for a new era. We are seeing this with the expanding Western embrace of meditative Buddhism, the feminist and goddess movements, and the newly emerging ecological spirituality.
(1921). The library (2Vols.) (trans: Frazer, J.). Cambridge, MA: Harvard University Press.
Frazer, J. (1922). The golden bough (Abridged Ed., Vol. 1). New York: Macmillan.
Gaster, T. (1959). The new golden bough. New York: Criterion/Mentor.
Jung, C. G. (1979). On resurrection. In W. McGuire, et al. (Eds.), The collected works of C.G. Jung (Vol. 18, paragraphs 1560–1574). Princeton: Princeton University Press.
Mettinger, T. (2001). The riddle of resurrection: “Dying and Rising Gods” in the ancient Near East. Stockholm: Almqvist & Wiksell.
(1955). The Metamorphoses (trans: Humphries, R.). Bloomington: Indiana University Press.
Pritchard, J. (Ed.). (1958). The ancient Near East (Vol. 1). Princeton: Princeton University Press.
Smith, J. Z. (2005). Dying and rising Gods. In L. Jones (Ed.), Encyclopedia of religion (2nd ed., Vol. 5, pp. 2535–2540). New York: Macmillan.
The Bible. Revised Standard Version. (1952). New York: Thomas Nelson & Sons.
Wolkstein, D., & Kramer, S. (1983). Inanna: Queen of heaven and earth: Her stories and hymns from Sumer. New York: Harper & Row.
NOTE: In comparing the soul of man with that of animals, St. Gregory Palamas says that animals possess a soul not as essence, but as an energy. “The soul of each of the irrational animals is the life for the body it animates, and so animals possess life not essentially but as an energy, since this life is dependent on something else and is not self-subsistent.” Therefore since the soul of animals has only energy, it dies with the body. By contrast, the soul of man has not only energy but also essence [cf. 150 Chapters, ch 38].
The following article is taken from Athens Journal of Humanities & Arts, january 2014: